<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Cinema d&#8217;Estats Units &#8211; LLEGIR.CAT</title>
	<atom:link href="https://www.llegir.cat/tag/cinema-estats-units/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.llegir.cat</link>
	<description>Revista digital de cultura</description>
	<lastBuildDate>Tue, 18 Aug 2026 16:03:16 +0000</lastBuildDate>
	<language>ca</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	

<image>
	<url>https://www.llegir.cat/wp-content/uploads/2020/12/cropped-llegir_cat_favicon_gran_fonsblanc-32x32.png</url>
	<title>Cinema d&#8217;Estats Units &#8211; LLEGIR.CAT</title>
	<link>https://www.llegir.cat</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Una gran &#8216;Odissea&#8217;</title>
		<link>https://www.llegir.cat/2026/08/critica-odissea-christopher-nolan/</link>
					<comments>https://www.llegir.cat/2026/08/critica-odissea-christopher-nolan/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Tue, 18 Aug 2026 16:03:16 +0000</pubDate>
				<category><![CDATA[Aventures]]></category>
		<category><![CDATA[CINE]]></category>
		<category><![CDATA[Històric]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Homer]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Mat Damon]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=72216</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2026/08/critica-odissea-christopher-nolan/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2026/08/odissea-150x150.jpg" class="alignleft tfe wp-post-image" alt="odissea nolan" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2026/08/odissea-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2026/08/odissea-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2026/08/odissea-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>La versió de Christopher Nolan intenta ser fidel a l'esperit de l'obra d'Homer sense renunciar a imposar la seva lectura personal del clàssic]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2026/08/critica-odissea-christopher-nolan/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8216;Backrooms&#8217;, una porta a una altra realitat</title>
		<link>https://www.llegir.cat/2026/06/critica-backrooms-de-kane-parsons/</link>
					<comments>https://www.llegir.cat/2026/06/critica-backrooms-de-kane-parsons/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Mon, 15 Jun 2026 07:14:20 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Fantàstic]]></category>
		<category><![CDATA[Terror]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Kane Parsons]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=71912</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2026/06/critica-backrooms-de-kane-parsons/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2026/06/Backrooms-150x150.jpg" class="alignleft tfe wp-post-image" alt="Backrooms" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2026/06/Backrooms-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2026/06/Backrooms-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2026/06/Backrooms-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>Kane Parsons proposa una història sobre mons paral·lels i sobre les trampes de la ment, una pel·lícula que va començar en un fòrum d'Internet]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2026/06/critica-backrooms-de-kane-parsons/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>El diable es continua vestint de Prada, però no llueix tant</title>
		<link>https://www.llegir.cat/2026/05/critica-el-diable-es-vesteix-de-prada-2-david-frankel/</link>
					<comments>https://www.llegir.cat/2026/05/critica-el-diable-es-vesteix-de-prada-2-david-frankel/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Fri, 15 May 2026 22:01:22 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Comèdia]]></category>
		<category><![CDATA[Anne Hathaway]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[David Frankel]]></category>
		<category><![CDATA[Emily Blunt]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Stanley Tucci]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=71671</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2026/05/critica-el-diable-es-vesteix-de-prada-2-david-frankel/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2026/05/El-diablo-viste-de-prada-2-150x150.jpg" class="alignleft tfe wp-post-image" alt="El diablo viste de prada" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2026/05/El-diablo-viste-de-prada-2-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2026/05/El-diablo-viste-de-prada-2-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2026/05/El-diablo-viste-de-prada-2-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>La segona part d''El diable es vesteix de Prada' repeteix l'esquema de la primera pel·lícula, però els personatges són menys sòlids]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2026/05/critica-el-diable-es-vesteix-de-prada-2-david-frankel/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8216;Te van a matar&#8217;, cinema per als qui tenen set de sang</title>
		<link>https://www.llegir.cat/2026/04/critica-te-van-a-matar-de-kirill-sokolov/</link>
					<comments>https://www.llegir.cat/2026/04/critica-te-van-a-matar-de-kirill-sokolov/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 11:30:03 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Terror]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Kirill Sokolov]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=71269</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2026/04/critica-te-van-a-matar-de-kirill-sokolov/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2026/04/te-van-a-matar-150x150.jpg" class="alignleft tfe wp-post-image" alt="te van a matar" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2026/04/te-van-a-matar-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2026/04/te-van-a-matar-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2026/04/te-van-a-matar-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>La pel·lícula gore de Kirill Sokolov ofereix moltes escenes violentes i sanguinàries però cap complexitat argumental]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2026/04/critica-te-van-a-matar-de-kirill-sokolov/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Un Frankenstein &#8216;young adult&#8217;</title>
		<link>https://www.llegir.cat/2025/12/critica-de-la-versio-de-frankenstein-de-guillermo-del-toro/</link>
					<comments>https://www.llegir.cat/2025/12/critica-de-la-versio-de-frankenstein-de-guillermo-del-toro/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Fri, 05 Dec 2025 12:36:17 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Fantàstic]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Mary Shelley]]></category>
		<category><![CDATA[Netflix]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=70294</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2025/12/critica-de-la-versio-de-frankenstein-de-guillermo-del-toro/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2025/12/Frankenstein-1-150x150.jpg" class="alignleft tfe wp-post-image" alt="" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2025/12/Frankenstein-1-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2025/12/Frankenstein-1-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2025/12/Frankenstein-1-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>Guillermo del Toro intenta humanitzar el monstre de Mary Shelley amb una versió molt simplificada i superficial del clàssic literari]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2025/12/critica-de-la-versio-de-frankenstein-de-guillermo-del-toro/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8216;Agárralo como puedas&#8217;, una seqüela agafada amb pinces</title>
		<link>https://www.llegir.cat/2025/08/critica-agarralo-como-puedas-liam-neeson/</link>
					<comments>https://www.llegir.cat/2025/08/critica-agarralo-como-puedas-liam-neeson/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Sun, 10 Aug 2025 15:47:55 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Comèdia]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Liam Neeson]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Pamela Anderson]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=69727</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2025/08/critica-agarralo-como-puedas-liam-neeson/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2025/08/Agarralo-como-puedas-150x150.jpg" class="alignleft tfe wp-post-image" alt="Agarralo como puedas" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2025/08/Agarralo-como-puedas-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2025/08/Agarralo-como-puedas-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2025/08/Agarralo-como-puedas-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>Liam Neeson protagonitza amb Pamela Anderson una nova aventura d'aquestes pel·lícules dels anys 80 i 90 amb un humor encara més absurd]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2025/08/critica-agarralo-como-puedas-liam-neeson/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8216;Día cero&#8217;, les vulnerabilitats de la primera potència mundial</title>
		<link>https://www.llegir.cat/2025/03/critica-de-la-serie-de-netflix-dia-cero/</link>
					<comments>https://www.llegir.cat/2025/03/critica-de-la-serie-de-netflix-dia-cero/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Sat, 08 Mar 2025 10:05:37 +0000</pubDate>
				<category><![CDATA[Sèries]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Robert de Niro]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=68314</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2025/03/critica-de-la-serie-de-netflix-dia-cero/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2025/03/Dia-zero-Netflix-150x150.jpg" class="alignleft tfe wp-post-image" alt="Día zero Netflix" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2025/03/Dia-zero-Netflix-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2025/03/Dia-zero-Netflix-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2025/03/Dia-zero-Netflix-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>La sèrie de Netflix, protagonitzada per Robert De Niro, gira al voltant d'un ciberatac massiu als Estats Units que provoca milers de morts]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2025/03/critica-de-la-serie-de-netflix-dia-cero/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>L&#8217;ombra de &#8216;Nosferatu&#8217; és llarga</title>
		<link>https://www.llegir.cat/2025/01/critica-nosferatu-robert-eggers/</link>
					<comments>https://www.llegir.cat/2025/01/critica-nosferatu-robert-eggers/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Wed, 01 Jan 2025 23:01:47 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Terror]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Robert Eggers]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=67469</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2025/01/critica-nosferatu-robert-eggers/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2025/01/Nosferatu-150x150.jpg" class="alignleft tfe wp-post-image" alt="Nosferatu" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2025/01/Nosferatu-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2025/01/Nosferatu-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2025/01/Nosferatu-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>La versió de Robert Eggers és fidel a la pel·lícula de Murnau, però s'apropa molt a les històries de terror gòtic juvenil]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2025/01/critica-nosferatu-robert-eggers/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8216;Kind of Kindness&#8217;, una exploració de la crueltat i la desesperació</title>
		<link>https://www.llegir.cat/2024/07/critica-kind-of-kindness-de-yorgos-lanthimo/</link>
					<comments>https://www.llegir.cat/2024/07/critica-kind-of-kindness-de-yorgos-lanthimo/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Wed, 03 Jul 2024 22:01:54 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Comèdia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Cinema britànic]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Willem Dafoe]]></category>
		<category><![CDATA[Yorgos Lanthimos]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=65607</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/07/critica-kind-of-kindness-de-yorgos-lanthimo/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/07/Kind-of-Kindness-150x150.jpg" class="alignleft tfe wp-post-image" alt="Kind of Kindness" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2024/07/Kind-of-Kindness-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/07/Kind-of-Kindness-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/07/Kind-of-Kindness-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>Yorgos Lanthimo uneix tres històries independents protagonitzades per personatges que viuen atrapats en situacions límit]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2024/07/critica-kind-of-kindness-de-yorgos-lanthimo/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>&#8216;Fins a la fi del món&#8217;, el western de Viggo Mortensen</title>
		<link>https://www.llegir.cat/2024/05/critica-fins-a-la-fi-del-mon-de-viggo-mortensen/</link>
					<comments>https://www.llegir.cat/2024/05/critica-fins-a-la-fi-del-mon-de-viggo-mortensen/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Mon, 20 May 2024 10:45:06 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Oest]]></category>
		<category><![CDATA[Cinema d'Estats Units]]></category>
		<category><![CDATA[Júlia Costa]]></category>
		<category><![CDATA[Vicky Crieps]]></category>
		<category><![CDATA[Viggo Mortensen]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=65025</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/05/critica-fins-a-la-fi-del-mon-de-viggo-mortensen/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/05/Fins-a-la-fi-del-mon-150x150.jpg" class="alignleft tfe wp-post-image" alt="Fins a la fi del món" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2024/05/Fins-a-la-fi-del-mon-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/05/Fins-a-la-fi-del-mon-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/05/Fins-a-la-fi-del-mon-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>La pel·lícula és protagonitzada per una parella que veu trencada la seva estabilitat quan ell decideix lluitar a la guerra de Secessió]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2024/05/critica-fins-a-la-fi-del-mon-de-viggo-mortensen/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
