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	<title>L&#8217;Auditori &#8211; LLEGIR.CAT</title>
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	<link>https://www.llegir.cat</link>
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	<lastBuildDate>Wed, 01 Apr 2026 12:48:09 +0000</lastBuildDate>
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	<url>https://www.llegir.cat/wp-content/uploads/2020/12/cropped-llegir_cat_favicon_gran_fonsblanc-32x32.png</url>
	<title>L&#8217;Auditori &#8211; LLEGIR.CAT</title>
	<link>https://www.llegir.cat</link>
	<width>32</width>
	<height>32</height>
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	<item>
		<title>Apassionant Herreweghe</title>
		<link>https://www.llegir.cat/2026/04/critica-de-la-passio-segons-sant-mateu-de-bach-dirigida-per-philippe-herreweghe-30-03-2026/</link>
					<comments>https://www.llegir.cat/2026/04/critica-de-la-passio-segons-sant-mateu-de-bach-dirigida-per-philippe-herreweghe-30-03-2026/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 12:48:09 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[Ibercamera]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Philippe Herreweghe]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=71257</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2026/04/critica-de-la-passio-segons-sant-mateu-de-bach-dirigida-per-philippe-herreweghe-30-03-2026/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2026/04/Philippe-Herreweghe-150x150.jpg" class="alignleft tfe wp-post-image" alt="Philippe Herreweghe" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2026/04/Philippe-Herreweghe-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2026/04/Philippe-Herreweghe-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2026/04/Philippe-Herreweghe-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>El director belga va demostrar novament el seu talent amb la direcció de la 'Passió Segons Sant Mateu' de Bach dintre del cicle Ibercàmera]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2026/04/critica-de-la-passio-segons-sant-mateu-de-bach-dirigida-per-philippe-herreweghe-30-03-2026/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Currentzis, l&#8217;inconstant</title>
		<link>https://www.llegir.cat/2026/02/critica-teodor-currentzis-va-dirigir-lanell-sense-paraules-de-wagner-a-lauditori-dintre-del-cicle-ibercamera/</link>
					<comments>https://www.llegir.cat/2026/02/critica-teodor-currentzis-va-dirigir-lanell-sense-paraules-de-wagner-a-lauditori-dintre-del-cicle-ibercamera/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Tue, 03 Feb 2026 07:35:27 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[Ibercamera]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Teodor Currentzis]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=70846</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2026/02/critica-teodor-currentzis-va-dirigir-lanell-sense-paraules-de-wagner-a-lauditori-dintre-del-cicle-ibercamera/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2026/02/Teodor-Currentzis-150x150.jpg" class="alignleft tfe wp-post-image" alt="Teodor Currentzis" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2026/02/Teodor-Currentzis-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2026/02/Teodor-Currentzis-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2026/02/Teodor-Currentzis-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>El director va apostar per un Wagner carregat de volums, prioritzant textura a claredat, però fent brillar certs sons i efectes amb una potència eixordadora]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2026/02/critica-teodor-currentzis-va-dirigir-lanell-sense-paraules-de-wagner-a-lauditori-dintre-del-cicle-ibercamera/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Les moltes tonalitats de la mar</title>
		<link>https://www.llegir.cat/2025/03/critica-ludovic-morlot-va-dirigir-a-lauditori-peces-de-debussy-granados-gasull-i-garreta-amb-les-veus-denric-casasses-i-silvia-perez-cruz/</link>
					<comments>https://www.llegir.cat/2025/03/critica-ludovic-morlot-va-dirigir-a-lauditori-peces-de-debussy-granados-gasull-i-garreta-amb-les-veus-denric-casasses-i-silvia-perez-cruz/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Sun, 30 Mar 2025 13:43:29 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Claude Debussy]]></category>
		<category><![CDATA[Feliu Gasull]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Ludovic Morlot]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Sílvia Pérez Cruz]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=68566</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2025/03/critica-ludovic-morlot-va-dirigir-a-lauditori-peces-de-debussy-granados-gasull-i-garreta-amb-les-veus-denric-casasses-i-silvia-perez-cruz/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2025/03/Ludovic-Morlot-150x150.jpg" class="alignleft tfe wp-post-image" alt="Ludovic Morlot" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2025/03/Ludovic-Morlot-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2025/03/Ludovic-Morlot-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2025/03/Ludovic-Morlot-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>Ludovic Morlot va dirigir a L'Auditori peces de Debussy, Granados, Gasull i Garreta en dos concerts que van comptar amb les veus d'Enric Casasses i Sílvia Pérez Cruz]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2025/03/critica-ludovic-morlot-va-dirigir-a-lauditori-peces-de-debussy-granados-gasull-i-garreta-amb-les-veus-denric-casasses-i-silvia-perez-cruz/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Nova vetllada triomfal de Currentzis amb Ibercàmera</title>
		<link>https://www.llegir.cat/2025/03/critica-de-la-simfonia-2-de-mahler-dirigida-per-currentzis-a-ibercamera/</link>
					<comments>https://www.llegir.cat/2025/03/critica-de-la-simfonia-2-de-mahler-dirigida-per-currentzis-a-ibercamera/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Tue, 25 Mar 2025 20:45:53 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[Gustav Mahler]]></category>
		<category><![CDATA[Ibercamera]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Teodor Currentzis]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=68519</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2025/03/critica-de-la-simfonia-2-de-mahler-dirigida-per-currentzis-a-ibercamera/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2025/03/Teodor-Currentzis-150x150.jpg" class="alignleft tfe wp-post-image" alt="Teodor Currentzis" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2025/03/Teodor-Currentzis-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2025/03/Teodor-Currentzis-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2025/03/Teodor-Currentzis-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>El director va oferir una explosiva 'Simfonia 2' de Mahler tot i que a vegades la seva lectura va sonar un pèl frívola]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2025/03/critica-de-la-simfonia-2-de-mahler-dirigida-per-currentzis-a-ibercamera/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>L&#8217;excel·lència de Bach i Herreweghe</title>
		<link>https://www.llegir.cat/2025/01/critica-de-les-cantates-de-bach-dirigides-per-philippe-herreweghe-29-01-2025/</link>
					<comments>https://www.llegir.cat/2025/01/critica-de-les-cantates-de-bach-dirigides-per-philippe-herreweghe-29-01-2025/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Thu, 30 Jan 2025 12:08:26 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[Collegium Vocale Gent]]></category>
		<category><![CDATA[Ibercamera]]></category>
		<category><![CDATA[Johann Sebastian Bach]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Philippe Herreweghe]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=67802</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2025/01/critica-de-les-cantates-de-bach-dirigides-per-philippe-herreweghe-29-01-2025/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2025/01/Philippe-Herreweghe-en-una-foto-de-©-Mario-Wurzburger-150x150.jpg" class="alignleft tfe wp-post-image" alt="Philippe Herreweghe en una foto de © Mario Wurzburger" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2025/01/Philippe-Herreweghe-en-una-foto-de-©-Mario-Wurzburger-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2025/01/Philippe-Herreweghe-en-una-foto-de-©-Mario-Wurzburger-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2025/01/Philippe-Herreweghe-en-una-foto-de-©-Mario-Wurzburger-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>El director belga va portar les 'Cantates' de Bach a un alt nivell de qualitat amb el Collegium Vocale Gent dintre del cicle Ibercamera]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Música a les fosques a L&#8217;Auditori</title>
		<link>https://www.llegir.cat/2024/11/els-diotima-quartet-i-els-jack-quartet-van-interpretar-a-lauditori-obres-dels-segles-xx-i-xxi-23-11-24/</link>
					<comments>https://www.llegir.cat/2024/11/els-diotima-quartet-i-els-jack-quartet-van-interpretar-a-lauditori-obres-dels-segles-xx-i-xxi-23-11-24/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Sun, 24 Nov 2024 12:12:29 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[Diotima Quartet]]></category>
		<category><![CDATA[Jack Quartet]]></category>
		<category><![CDATA[José Río-Pareja]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Lisa Streich]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=67009</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/11/els-diotima-quartet-i-els-jack-quartet-van-interpretar-a-lauditori-obres-dels-segles-xx-i-xxi-23-11-24/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/11/JACK-Quartet-150x150.jpg" class="alignleft tfe wp-post-image" alt="JACK Quartet" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2024/11/JACK-Quartet-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/11/JACK-Quartet-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/11/JACK-Quartet-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>Els Diotima Quartet i els JACK Quartet, dues formacions de referència, van interpretar obres dels segles XX i XXI]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2024/11/els-diotima-quartet-i-els-jack-quartet-van-interpretar-a-lauditori-obres-dels-segles-xx-i-xxi-23-11-24/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>L&#8217;espectralisme de Grisey a L&#8217;Auditori</title>
		<link>https://www.llegir.cat/2024/05/lespectralisme-de-grisey-a-lauditori/</link>
					<comments>https://www.llegir.cat/2024/05/lespectralisme-de-grisey-a-lauditori/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Fri, 31 May 2024 16:14:34 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=65180</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/05/lespectralisme-de-grisey-a-lauditori/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/05/Frames-Percussion-150x150.jpg" class="alignleft tfe wp-post-image" alt="Frames Percussion" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2024/05/Frames-Percussion-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/05/Frames-Percussion-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/05/Frames-Percussion-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>Bona vetllada amb la Frames Percussion i la GIO Symphonia, amb direcció de Francesc Prat, en un concert on també van sonar Debussy, Haas i Rumbau]]></description>
		
					<wfw:commentRss>https://www.llegir.cat/2024/05/lespectralisme-de-grisey-a-lauditori/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Schönberg i Beethoven ben portats a L&#8217;Auditori</title>
		<link>https://www.llegir.cat/2024/04/critica-eun-sun-kim-va-dirigir-schonberg-i-beethoven-amb-lobc-a-lauditori-12-04-2024/</link>
					<comments>https://www.llegir.cat/2024/04/critica-eun-sun-kim-va-dirigir-schonberg-i-beethoven-amb-lobc-a-lauditori-12-04-2024/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Sat, 13 Apr 2024 08:23:21 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[Arnold Schoenberg]]></category>
		<category><![CDATA[Eun Sun Kim]]></category>
		<category><![CDATA[Heidi Melton]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[OBC]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=64431</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/04/critica-eun-sun-kim-va-dirigir-schonberg-i-beethoven-amb-lobc-a-lauditori-12-04-2024/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/04/Eun-Sun-Kim-150x150.jpg" class="alignleft tfe wp-post-image" alt="Eun Sun Kim" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2024/04/Eun-Sun-Kim-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/04/Eun-Sun-Kim-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/04/Eun-Sun-Kim-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>La coreana Eun Sun Kim va dirigir l'OBC amb èxit un concert on també va destacar la potent veu de Heidi Melton]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Currentzis, el &#8216;performer&#8217; de la música</title>
		<link>https://www.llegir.cat/2024/03/critica-teodor-currentzis-va-dirigir-el-requiem-de-mozart-dintre-del-cicle-ibercamera/</link>
					<comments>https://www.llegir.cat/2024/03/critica-teodor-currentzis-va-dirigir-el-requiem-de-mozart-dintre-del-cicle-ibercamera/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Tue, 12 Mar 2024 10:36:44 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[Ibercamera]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Olga Pashchenko]]></category>
		<category><![CDATA[Teodor Currentzis]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=63987</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/03/critica-teodor-currentzis-va-dirigir-el-requiem-de-mozart-dintre-del-cicle-ibercamera/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/03/Currentzis-150x150.jpg" class="alignleft tfe wp-post-image" alt="Currentzis" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2024/03/Currentzis-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/03/Currentzis-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/03/Currentzis-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>El greco-rus va dirigir a L'Auditori el 'Requiem' i el 'Concert per a piano n. 24' de Mozart dintre del cicle d'Ibercàmera]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Un clàssic de Reich a L&#8217;Auditori</title>
		<link>https://www.llegir.cat/2024/03/critica-music-for-18-musicians-de-steve-reich-a-lauditori/</link>
					<comments>https://www.llegir.cat/2024/03/critica-music-for-18-musicians-de-steve-reich-a-lauditori/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Sat, 02 Mar 2024 20:31:42 +0000</pubDate>
				<category><![CDATA[CLÀSSICA]]></category>
		<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Albert Mena]]></category>
		<category><![CDATA[L'Auditori]]></category>
		<category><![CDATA[Steve Reich]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=63854</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/03/critica-music-for-18-musicians-de-steve-reich-a-lauditori/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/03/Music-for-18-musicians-150x150.jpg" class="alignleft tfe wp-post-image" alt="Music for 18 musicians" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2024/03/Music-for-18-musicians-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/03/Music-for-18-musicians-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/03/Music-for-18-musicians-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>'Music for 18 musicians' és una peça imprescindible de la música clàssica de l’últim terç del segle XX, final de l’etapa minimalista del compositor]]></description>
		
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