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	<title>Cinema hongarès &#8211; LLEGIR.CAT</title>
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	<title>Cinema hongarès &#8211; LLEGIR.CAT</title>
	<link>https://www.llegir.cat</link>
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	<item>
		<title>&#8216;El cavall de Torí&#8217;, la desaparició lenta del ser humà</title>
		<link>https://www.llegir.cat/2024/01/critica-el-cavall-de-tori-de-bela-tarr/</link>
					<comments>https://www.llegir.cat/2024/01/critica-el-cavall-de-tori-de-bela-tarr/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Tue, 16 Jan 2024 09:21:15 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Ágnes Hranitzky]]></category>
		<category><![CDATA[Béla Tarr]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmin]]></category>
		<category><![CDATA[Filmoteca de Catalunya]]></category>
		<category><![CDATA[László Krasznahorkai]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=63250</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/01/critica-el-cavall-de-tori-de-bela-tarr/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/01/El-cavall-de-Tori-150x150.jpg" class="alignleft tfe wp-post-image" alt="El cavall de Torí" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2024/01/El-cavall-de-Tori-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/01/El-cavall-de-Tori-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/01/El-cavall-de-Tori-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>La pel·lícula de Béla Tarr i Ágnes Hranitzky mostra un pare i una filla atrapats en una vida de misèria que els condueix a una inevitable extinció]]></description>
		
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		<item>
		<title>&#8216;Armonies de Werckmeister&#8217;, retrat d&#8217;una devastació</title>
		<link>https://www.llegir.cat/2024/01/critica-armonies-de-werckmeister-de-bela-tarr-i-agnes-hranitzky/</link>
					<comments>https://www.llegir.cat/2024/01/critica-armonies-de-werckmeister-de-bela-tarr-i-agnes-hranitzky/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Thu, 11 Jan 2024 16:38:06 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[László Krasznahorkai]]></category>
		<category><![CDATA[Ágnes Hranitzky]]></category>
		<category><![CDATA[Béla Tarr]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmoteca de Catalunya]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=63211</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/01/critica-armonies-de-werckmeister-de-bela-tarr-i-agnes-hranitzky/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/01/Armonies-de-Werckmeister-150x150.jpg" class="alignleft tfe wp-post-image" alt="Armonies de Werckmeister" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2024/01/Armonies-de-Werckmeister-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/01/Armonies-de-Werckmeister-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/01/Armonies-de-Werckmeister-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>La pel·lícula de Béla Tarr i Ágnes Hranitzky mostra el dolor i la violència d'una societat sense esperança que ha estat abandonada pel sistema]]></description>
		
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		<item>
		<title>Béla Tarr: «Cal protegir la dignitat humana i la innocència»</title>
		<link>https://www.llegir.cat/2024/01/bela-tarr-cal-protegir-la-dignitat-humana-i-la-innocencia/</link>
					<comments>https://www.llegir.cat/2024/01/bela-tarr-cal-protegir-la-dignitat-humana-i-la-innocencia/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Wed, 10 Jan 2024 18:24:09 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Cineastes]]></category>
		<category><![CDATA[ENTREVISTES]]></category>
		<category><![CDATA[Béla Tarr]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmoteca de Catalunya]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=63188</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2024/01/bela-tarr-cal-protegir-la-dignitat-humana-i-la-innocencia/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2024/01/Bela-Tarr-150x150.jpg" class="alignleft tfe wp-post-image" alt="Béla Tarr" decoding="async" srcset="https://www.llegir.cat/wp-content/uploads/2024/01/Bela-Tarr-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2024/01/Bela-Tarr-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2024/01/Bela-Tarr-111x111.jpg 111w" sizes="(max-width: 150px) 100vw, 150px" /></a>El director hongarès ha presentat a la Filmoteca de Catalunya i al cine Zumzeig el cicle que les dues sales li dediquen]]></description>
		
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			</item>
		<item>
		<title>&#8216;One day&#8217;, retrat d&#8217;un drama quotidià</title>
		<link>https://www.llegir.cat/2022/12/critica-one-day-de-zsofia-szilagyi/</link>
					<comments>https://www.llegir.cat/2022/12/critica-one-day-de-zsofia-szilagyi/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Fri, 23 Dec 2022 23:01:50 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmin]]></category>
		<category><![CDATA[Leó Füredi]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Zsófia Szamosi]]></category>
		<category><![CDATA[Zsófia Szilágyi]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=57701</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2022/12/critica-one-day-de-zsofia-szilagyi/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2022/12/One-day-de-Zsófia-Szilágyi-150x150.jpg" class="alignleft tfe wp-post-image" alt="One day de Zsófia Szilágyi" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2022/12/One-day-de-Zsófia-Szilágyi-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2022/12/One-day-de-Zsófia-Szilágyi-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2022/12/One-day-de-Zsófia-Szilágyi-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>La pel·lícula de Zsófia Szilágyi mostra la frenètica vida d'una dona ocupada tot el dia amb la feina i la família mentre el seu marit fa la seva sense cap mena d'empatia]]></description>
		
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			</item>
		<item>
		<title>El dolor de la ruptura</title>
		<link>https://www.llegir.cat/2022/11/critica-take-me-please-doliver-hegyi/</link>
					<comments>https://www.llegir.cat/2022/11/critica-take-me-please-doliver-hegyi/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Mon, 07 Nov 2022 23:01:12 +0000</pubDate>
				<category><![CDATA[Animació]]></category>
		<category><![CDATA[CINE]]></category>
		<category><![CDATA[Amor]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmin]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Oliver Hegyi]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=57189</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2022/11/critica-take-me-please-doliver-hegyi/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2022/11/take-me-please-150x150.jpg" class="alignleft tfe wp-post-image" alt="take me please" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2022/11/take-me-please-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2022/11/take-me-please-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2022/11/take-me-please-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>‘Take me please’ és un curtmetratge escrit i dirigit per l’hongarès Oliver Hegyi que retrata les fases d’una ruptura]]></description>
		
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		<item>
		<title>&#8216;1945&#8217;, la responsabilitat i la culpa després de la guerra</title>
		<link>https://www.llegir.cat/2022/10/critica-1945-de-ferenc-torok/</link>
					<comments>https://www.llegir.cat/2022/10/critica-1945-de-ferenc-torok/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Mon, 31 Oct 2022 11:31:46 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Ferenc Török]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Segona Guerra Mundial]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=57105</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2022/10/critica-1945-de-ferenc-torok/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2022/10/1945-Ferenc-Torok-150x150.jpg" class="alignleft tfe wp-post-image" alt="1945 Ferenc Török" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2022/10/1945-Ferenc-Torok-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2022/10/1945-Ferenc-Torok-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2022/10/1945-Ferenc-Torok-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>La pel·lícula de Ferenc Török retrata un poble hongarès que en acabar la Segona Guerra Mundial tem que els jueus supervivents tornin per reclamar el que és seu]]></description>
		
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		<item>
		<title>Retrat del desarrelament</title>
		<link>https://www.llegir.cat/2022/09/critica-olyan-mint-otthon-com-a-casa-de-marta-meszaros/</link>
					<comments>https://www.llegir.cat/2022/09/critica-olyan-mint-otthon-com-a-casa-de-marta-meszaros/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Wed, 28 Sep 2022 08:18:10 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmoteca de Catalunya]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Márta Mészáros]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=56495</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2022/09/critica-olyan-mint-otthon-com-a-casa-de-marta-meszaros/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2022/09/Olyan-mint-otthon-Como-en-casa-Marta-Meszaros-150x150.jpg" class="alignleft tfe wp-post-image" alt="Olyan mint otthon Como en casa Marta Meszaros" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2022/09/Olyan-mint-otthon-Como-en-casa-Marta-Meszaros-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2022/09/Olyan-mint-otthon-Como-en-casa-Marta-Meszaros-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2022/09/Olyan-mint-otthon-Como-en-casa-Marta-Meszaros-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>A la pel·lícula 'Olyan mint otthon (Com a casa)', de Márta Mészáros, un home torna a la seva Hongria natal després d'haver viscut a Nova York]]></description>
		
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			</item>
		<item>
		<title>Música i rebel·lia</title>
		<link>https://www.llegir.cat/2022/09/critica-szep-lanyok-ne-sirjatok-no-ploreu-precioses-de-marta-meszaros/</link>
					<comments>https://www.llegir.cat/2022/09/critica-szep-lanyok-ne-sirjatok-no-ploreu-precioses-de-marta-meszaros/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Wed, 21 Sep 2022 11:01:41 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmoteca de Catalunya]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Márta Mészáros]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=56448</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2022/09/critica-szep-lanyok-ne-sirjatok-no-ploreu-precioses-de-marta-meszaros/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2022/09/Szep-lanyok-ne-sirjatok-150x150.jpg" class="alignleft tfe wp-post-image" alt="Szép lányok, ne sírjatok" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2022/09/Szep-lanyok-ne-sirjatok-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2022/09/Szep-lanyok-ne-sirjatok-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2022/09/Szep-lanyok-ne-sirjatok-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>A ‘No ploreu, precioses!’ la directora hongaresa Márta Mészáros retrata una generació de joves inconformistes seduïts per l’escena musical de la seva època]]></description>
		
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		<item>
		<title>Trencar cadenes</title>
		<link>https://www.llegir.cat/2022/09/critica-holdudvar-vincles-de-marta-meszaros/</link>
					<comments>https://www.llegir.cat/2022/09/critica-holdudvar-vincles-de-marta-meszaros/#respond</comments>
		
		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Sat, 17 Sep 2022 10:20:28 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Filmoteca de Catalunya]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Márta Mészáros]]></category>
		<guid isPermaLink="false">https://www.llegir.cat/?p=56389</guid>

					<description><![CDATA[<a href="https://www.llegir.cat/2022/09/critica-holdudvar-vincles-de-marta-meszaros/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2022/09/Holdudvar-Marta-Meszaros-150x150.jpg" class="alignleft tfe wp-post-image" alt="Holdudvar Márta Mészáros" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2022/09/Holdudvar-Marta-Meszaros-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2022/09/Holdudvar-Marta-Meszaros-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2022/09/Holdudvar-Marta-Meszaros-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>A ‘Holdudvar (Vincles)’, la directora hongaresa Márta Mészáros retrata una dona que després de quedar vídua en una època grisa vol recuperar la llibertat perduda]]></description>
		
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		<item>
		<title>&#8216;Els que es van quedar&#8217;, retrat del dolor després de l&#8217;Holocaust</title>
		<link>https://www.llegir.cat/2020/09/akik-maradtak-els-que-es-van-quedar-barnabas-toth/</link>
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		<dc:creator><![CDATA[Redacció]]></dc:creator>
		<pubDate>Fri, 25 Sep 2020 08:43:40 +0000</pubDate>
				<category><![CDATA[CINE]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Barnabás Tóth]]></category>
		<category><![CDATA[Cinema hongarès]]></category>
		<category><![CDATA[Fatalisme]]></category>
		<category><![CDATA[Filmoteca de Catalunya]]></category>
		<category><![CDATA[Manel Haro]]></category>
		<category><![CDATA[Segona Guerra Mundial]]></category>
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					<description><![CDATA[<a href="https://www.llegir.cat/2020/09/akik-maradtak-els-que-es-van-quedar-barnabas-toth/"><img align="left" hspace="5" width="150" height="150" src="https://www.llegir.cat/wp-content/uploads/2020/09/Akik-maradtak-Els-que-es-van-quedar-150x150.jpg" class="alignleft tfe wp-post-image" alt="Akik maradtak Els que es van quedar" decoding="async" loading="lazy" srcset="https://www.llegir.cat/wp-content/uploads/2020/09/Akik-maradtak-Els-que-es-van-quedar-150x150.jpg 150w, https://www.llegir.cat/wp-content/uploads/2020/09/Akik-maradtak-Els-que-es-van-quedar-83x83.jpg 83w, https://www.llegir.cat/wp-content/uploads/2020/09/Akik-maradtak-Els-que-es-van-quedar-111x111.jpg 111w" sizes="auto, (max-width: 150px) 100vw, 150px" /></a>A la pel·lícula de Barnabás Tóth dos personatges han de seguir endavant tot i haver perdut familiars durant la Segona Guerra Mundial]]></description>
		
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